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#Bass accordion method 1937 series

Basar Aleppo oder Die Straße nach Tyros (2015) Sound scenes for tenor saxophone, marimba, piano and playback.

Pasolini in Ostia (2012) for soprano, piano, cello and percussion.

Lenz in Moskau (2011) for trombone, guitar, cello, piano, two percussionists and feeds.

in der luft waren vögel, im wasser waren fische (2006) for piano and eight instruments.

Der Faden ist gerissen (2005) for seven instrumentalists.

aprikosenbäume gibt es, aprikosenbäume gibt es (2004) for double bass clarinet, violin, trumpet, violoncello, trombone and playbacks (dedicated to Wolfgang Stryi).

Hawking (1998) for piano, bass drum and six instruments.

Schlaf, schlaf, John Donne, schlaf tief und quäl dich nicht (1997) for violin, bass clarinet, accordion, keyboard.

Sarca – il fiume Sarca (1995) for 7 wind instruments and double bass.

Bach, Kunst der Fuge, Contrapunctus XI) (1994) for large ensemble and keyboard

Uncertain Melody (1989) for eight instruments.

Die Tode des Orpheus (2017) for countertenor and orchestra.

Wer sind diese Kinder (2009) for piano, large orchestra and playback.

Au bord d'une source (2006) for tenor recorder, orchestra and feeds.

Ihr, meine und eines ruchlosen Vaters (2006) for soprano, speaker (via feed) and orchestra.

Die schrecklich-gewaltigen Kinder (2003) for coloratura soprano and large ensemble.

Fremdling, rede – Ballade Furor Odysseus (2002) for mezzo-soprano, speaker and orchestra.Restoring the Death of Orpheus (2000) Akkordeonkonzert.Odysseus aber hörte ihr Schweigen nicht (1993).Schubert Teilelager (1989) for string orchestra.Les Chants de la Revolution sont des Chants de l’Amour (1989, revised in 1998) for soprano, orchestra and electronic recordings.Das Schweigen der Sirenen (1987) for soprano, tenor, orchestra and electronic recordings.He, tres doulz roussignol joly after old French ballades and virelais (1978).Die Erde ist eine Schale von dunkelm Gold (1966/1999), 2 Bach adaptations for soprano, tenor, baritone and orchestra.Sirenen – Bilder des Begehrens und des Vernichtens.His works have been published by Ricordi, including: Stage music His opera Sirenen, subtitled Bilder des Begehrens und des Vernichtens ( Sirens, images of desire and destruction), includes text elements not only from Homer's Odyssey but also by Karoline von Günderrode, Giovanni Pascoli and Isabelle Erhardt, illuminating various aspects of the myth. They have combined elements both sublime and trivial and include socio-political findings as well as personal ingredients. Riehm's compositions deal with philosophical reflection, history, myths, fairy tales, memories, and arguments in the natural sciences. The composer was interviewed by Klaus Zehelein, and music was performed by soprano Sarah Maria Sun and members of the Ensemble Modern, including Lenz in Moskau and Adieu, sirènes.

#Bass accordion method 1937 series

On 27 November 2018, the Ensemble Modern held a Porträt Rolf Riehm as a Werkstattkonzert (workshop concert) in the series Happy New Ears at the Oper Frankfurt. The same year, his writings were published under the title Texte. His opera Sirenen had its premiere at the Oper Frankfurt in 2014. Since 2010 he has been a member of the Academy of Arts, Berlin. In 1992 he received the Kunstpreis des Saarlandes and in 2002 the Hindemith Prize of the City of Hanau. He did concert tours, lectures and workshops in Central and South America, Sweden and Japan. From 1976 to 1981 he was a member of the Sogenanntes Linksradikales Blasorchester, a political wind band for which he also wrote arrangements. From 1974 to 2000 Riehm was a professor for composition and music theory at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main.

In 1968 he received the award Premio Marzotto and a scholarship from the Villa Massimo. He was also a member of the Gruppe 8 Köln, an association of Cologne composers, from 1968 to 1972, and is counted as a composer of the Cologne School (music). After a brief period as a school teacher, he became a lecturer at the Rheinische Musikschule in Cologne in 1968. Riehm co-founded the Frankfurter Vereinigung für Musik in 1964. Afterwards he worked as a solo oboist, playing Ungebräuchliches at the Darmstädter Ferienkurse in 1966, for example. Born in Saarbrücken, Riehm first studied school music in Frankfurt am Main and from 1958 composition with Wolfgang Fortner in Freiburg im Breisgau.